SUMMARY-
In the introduction to A Thousand Plateaus, Gille Deleuze and Félis Fuatarri use pseudonyms in describing the way human knowledge is spread through literature. They describe a book as a machine and literature as an assemblage, but not ideology (407). They say there is no difference in how a book is made and what it talks about. Writing is measured by units, which define writing as “the measure of something else” (408). They compare books to trees and their root systems, and also to the reproduction of roots. The way in which the books/roots multiple is compared with binary logic and biunivocal relationships. Starting with the first book as a classical book or the root-book or taproot and all other books stemming from here. With the classical book as the foundation, all of literature comes from here and is somehow a reflection of the book prior. They state, “the world has become chaos, but the book remains the image of the world” (409). This relates to how the book is made (time) and how it is reflected in the work. They end the article with this kind of system being compared to a rhizome. They say that a rhizome can be good, but also bad; and also, that it is not composed of units but rather of dimensions (“directions in motions”) that relate to change such as a metamorphosis. They continure to describe a rhizome as not only an antigenealogy, but also an antimemory.
INQUIRY-
The way in which Duleuse and Fruatarri use the rhizome metaphor at the end of the introduction helps show the development process in which humans communicate knowledge through literature. They start out by comparing literature (in the form of books) to the root system on a tree (408). The main root (taproot) is the first literature—classical writing. From there, books were written in response to books previously published. A system was created, but is continually growing. This corresponds to the non-stop publication of books and how after they are published they become outdated since there is no communication between the text and the reader. Finally, they use the rhizome to address the Internet. It cannot be measured by units since units are constant, but rather has to undergo a metamorphosis because the Internet allows for the media to be changed—this is why it is an antimemory. The functions the Internet has such as hypertext or social interaction can also be compared to a rhizome. These forms of new media allow not only for change, but also have very few limitations. When analyzed with books (roots), there is no comparison in the amount of options that the Internet (rhizomes) gives.
1. Do you agree with the way they present books, in which “a book exists only through the outside and on the outside” and “a book has neither object nor subject, but that it is made of variously formed matters, and very different dates and speeds” (407).
2. Why do you think that they used the tree/root system and rhizome to compare literature? Can you think of a better/different example that would communicate the same ideas?
3. Through their arguments on the development of literature, what can you conclude about their thoughts on future forms of new media in relation to literature?